Program

Mari Katayama, Installation view of 'Broken Heart' at White Rainbow, London, 2019. © Mari Katayama. Courtesy White Rainbow, London and rin art association. Photography: Damian Griffiths.

Mari Katayama: Broken Heart, 24 January – 2 March, 2019

Meiro Koizumi, Battlelands, Installation view at White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London Photography: Damian Griffiths

Meiro Koizumi: Battlelands, 22 November 2018 – 12 January, 2019

Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths.

Taro Izumi: My eyes are not in the centre, 14 September – 3 November, 2018

Chim↑Pom, Archival installation from '道 [Street]' (2017), installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths

Chim↑Pom: Why Open? 18 May – 7 July, 2018

Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffiths

Aki Sasamoto: Clothes Line, 19 July – 4 August, 2018

Chikako Yamashiro, Mud Man (2017), Installation view at White Rainbow, London, UK, 2018. In cooperation with Aichi Triennale. © Chikako Yamashiro, Image: Damian Griffiths.

Chikako Yamashiro: Shapeshifter, 15 March – 28 April, 2018

Moré Moré [Leaky]: The Falling Water Given #4-6, Installation view at White Rainbow, London, 2017 Wood Frames, found objects, water pump system.

Yuko Mohri: Moré Moré [Leaky], 9 February – 11 March, 2017

Overlay: Cathy Haynes, Nancy Holt, Hannah Lees, Zoe Paul, Claire Potter, 28 June – 20 September 2016

‘Map of the World (Dedicated to unknown embroiderers)’ (2012-). Installation view at White Rainbow, London, UK, 2018 © Saturo Aoyama, Image: Damian Griffiths

Satoru Aoyama: Division of Labour, 6 April – 7 May, 2016

Shigeo Anzaï, Index II, White Rainbow, 2016, Installation View

Shigeo Anzaï: Index I, 25 November 2015 – 23 January, 2016

Tony Hill. Courtesy and copyright the artist

Downside up: perspective, gravity, scale and movement – an exhibition of filmworks by Tony Hill, 2015

Adam Chodzko, Expulsion from the Garden of Eden, 2015. Image courtesy and copyright of the artist.

Adam Chodzko: Expulsion from the Garden of Eden, 18 July – 27 September, 2015

Sutupa Biswas

Sutapa Biswas: Mata Ne, 18 July – 27 September, 2015

It, Heat, Hit Laure Prouvost UK, 2010. © Laure Prouvost. Courtesy Lisson Gallery

Questions Will Be Asked: Laure Prouvost, April 1 – May 18, 2016

The Film London Jarman Award. Copyright and courtesy Film London

International Artists’ Moving Image: Film London Jarman Award and Random Acts, 2015-2016

Sybille Neumeyer, The Cabinet Laboratory (2011). Image courtesy and copyright the artist

Artist in Residence: ARCUS Programme, 2013

Anjin 1600: Edo Wonderpark, print. Courtesy and copyright the artist

Anjin 1600: Edo Wonderpark, 13th September-26th October, 2013

Jia Aili, Untiltled Oil on Canvas (2010). Image courtesy Platform China and copyright the artist

Counterpoints: Lu Chunsheng and Jia Aili, 31 March-15 May, 2010

The Fan Chon Hoo, Curio Cabinet, Fan Chon Hoo: Into the World of Palpable Objects and Fruitful Delight (2011) Courtesy Fountain and copyright the artist.

Fan Chon Hoo: Into the World of Palpable Objects and Fruitful Delight, 3-26 February, 2011

Erika Tan, The Syntactical Impossibility of Approaching with a Pure Heart', 2008

A Gift to Those Who Contemplate the Wonders of Cities and the Marvels of Travelling: Erika Tan & Mio Shirai, 3 October – 15 November, 2008

Colors in the water, SARKIS, 2009. Courtesy Beppu Project and copyright the artist

“Mixed Bathing World” Beppu International Art Triennial, 2009

Undercurrent, Rubble Night, 2006

Brilliant City: Contemporary Chinese and British artists’ moving image exploring urbanisation and globalisation, 2007/08

Meiya Lin, The times are summoning, Meiya Lin

There is No I in Team: Contemporary Moving Image from China, 6 February – 22 July, 2008

Beyond Pages, 1995-97. © Masaki Fujihata. Courtesy of the artist

Masaki Fujihata: The Conquest of Imperfection, 22 August – 19 October 2008

ICA, Digital Festival, What You Want To Do With It? (2001). Image courtesy and copyright ICA, London

What Do You Want To Do With It? Digital Media Festival, ICA, London, 2001/02

Li Tai Po Color Barred, Nam June Paik 1984

Media Art Histories: Re-imaging the Film, Video and Media Art collection of ZKM

Rest Energy is a 1980 performance art piece created and performed by then-performance artist duo Marina Abramović and Ulay and recorded in Amsterdam. Courtesy the Pomeranz Collection an copyright the artists.

Artists’ Video and Performance single-channel touring programmes, 1994-1998

GRAMMATRON – by Mark Amerika, 1997

Internet art aka Net art: hypertext, networks and interactivity 1997-2003

documenta 5 “Questioning Reality – Pictorial Worlds Today” catalogue, 30 June – 8 October 1972

Biennial Fever: An Anthology of Perennial International Exhibitions of Contemporary Art, 2016

SILVER SCREEN, 2012 Installation Image [20 min. /black and white],Sound [mono] Mirror, Projector, PC, Speaker Screen aspect 4: 3. Image courtesy Tokyo Gallery copyright the artist

Film Without Film: Shimurabros in conversation with Keith Whittle, 2016

Art, Politics and Censorship in Japan and Beyond, The Sainsbury Institute 2015

Art, Politics and Censorship in Japan and Beyond, The Sainsbury Institute, 2015 and Tokyo Geidai, 2018

Post 3.11 - What Can Art Do? - Ichiro Endo "Go for Future" Keith Whittle and Kaori Homma © Japan Foundation. Post 3.11 - What Can Art Do? - Ichiro Endo "Go for Future" © artist and courtesy island gallery

Post 3.11: What Can Art Do? – Talk Ichiro Endo, Keith Whittle and Kaori Homma, 2013

Michael Lin, Beppu 04.11-06.14.09, 2nd floor of Kansai Kisen Terminal Pier 3. Image copyright the artist and courtesy Beppu Project NPO

Art, Community and Engagement: Recent Trends from Japanese Art Projects, 2009

Liliane Lijn, Atom Born Beings 1962 – 1963. Image courtesy and copyright the artist

Liliane Lijn, Susan Collins and UVA: Artist talks series, V&A South Kensington, 2014

Tatsuo Miyajima, Pile up Life no. 1 - Katrina (2008). © Lisson Gallery & SCAI the BATHHOUSE. Courtesy of the artist

Floating World to Floating Point: A Brief History of Japanese Media Art, 2008

Akira Shimizu, Color Blindness Test Chart No.4 and No.9, 1964

Ground Zero: Experimental ideas and methods in art, music and literature in Early Postwar Japan

Mavo Publications. Image courtesy and copyright Fountain

MAVO: the Practice of Avant-gardism in Taisho-era Japan, 1912-1926

Murayama Tomoyoshi, Dedicated to the Beautiful Young Girls, 1927

Inexorable Modernity: Modern Japanese art; aesthetics, painting, sculpture, performance and experimental theatre 1880-1935

Carston Hollier, Rolling Cylinder, 2012. Echigo-Tsumari Art Triennale. Photo Osamu Nakamura. Courtesy and copyright Art Front Gallery

One Place After Another: What can periodical International Contemporary Art Projects actually share?, 2015

Daisuke Ida, Photo Sculpture, 3331 Arts Chiyoda, 2018. © Daisuke Ida. Courtesy of the artist and 3331

Daisuke Ida in conversation with Keith Whittle, 3331 Arts Chiyoda, Tokyo, 2018

David Blandy, Soul of the USA, 2004 © David Blandy and courtesy Seventeen Gallery

Child of The Atom: David Blandy in conversation with Keith Whittle, London, 2013

Real Times, Chim↑Pom, 2011. Image courtesy Mujin To and copyright the artists

Real Times: Art after the Great East Japan Earthquake

Mariiko Mori, Tom Na H-iu, Teshima Island, Benesse Art Site Noashima, 2013. Image courtesy and copyright SCAI the BATHHOUSE

Intervening in Nature: Talk by Kenji Kajiya and in conversation with Keith Whittle, 2014

Art School Futures. Image courtesy and copyright Tokyo Geadai

Art School Futures: What does it mean to be an Art Graduate in 2013?

Daisuke Ohba, FOREST#1, 2009. Installation view at SCAI the BATHHOUSE. Photo by Keizo Kioku. Courtesty and copyright SCAI the BATHHOUSE

Daisuke Ohba: The Light Field, talks and in conversation with Keith Whittle, The Daiwa Anglo-Japanese Foundation, 2010