{"id":1777,"date":"2024-08-03T12:18:34","date_gmt":"2024-08-03T12:18:34","guid":{"rendered":"http:\/\/keithwhittle.org\/?page_id=1777"},"modified":"2026-02-28T06:39:40","modified_gmt":"2026-02-28T06:39:40","slug":"watch-listen","status":"publish","type":"page","link":"https:\/\/keithwhittle.org\/?page_id=1777","title":{"rendered":"Press"},"content":{"rendered":"<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>Kyunchome<em>, All Living Things are Breathing Now, <\/em>BBC Radio<\/h4>\n<p>A BBC Radio broadcast featuring artist unit Kyunchome and curator Keith Whittle discussing their exhibition, <em>All Living Things Are Breathing Now<\/em>.<\/p>\n<p><span class=\"\">Please click <a href=\"https:\/\/soundcloud.com\/user-659779783-700157424\/a-bbc-radio-broadcast-featuring-japanese-artist-unit-kyunchome-and-curator-keith-whittle-discussing-their-exhibition-all-living-things-are-breathing-now?si=5c3560adc69c4c7ca2e2984a35253f51&amp;utm_source=clipboard&amp;utm_medium=text&amp;utm_campaign=social_sharing\" target=\"_blank\" rel=\"noopener\">here<\/a> listen to the broadcast.<\/span><\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>Mari Katayama<em>, <\/em>Tate Shots, 2024<\/h4>\n<p>Artist Mari Katayama talks about her work recently acquired by Tate Modern.<\/p>\n<p><span class=\"\">Please click\u00a0<a href=\"https:\/\/youtu.be\/V76NP8uj3tU?si=xswnOqWxtqx4pB-X\">here<\/a>\u00a0to view.<\/span><\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>Preview, Meiro Koizumi,\u00a0<em>Battlelands<\/em>, White Rainbow, 2019<\/h4>\n<p><span class=\"\">Please click\u00a0<a href=\"https:\/\/youtu.be\/bQVYW2pkaoM?si=TXSalzbRsFl3jN4I\" target=\"_blank\" rel=\"noopener\">here<\/a>\u00a0to view.<\/span><\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>Yuko Mohri<em>,<\/em>\u00a0interview, <em>Mor\u00e9 Mor\u00e9 [Leaky]<\/em>, White Rainbow, 2017<\/h4>\n<p><span class=\"\">Please click\u00a0<a href=\"https:\/\/vimeo.com\/204521824\" target=\"_blank\" rel=\"noopener\">here<\/a>\u00a0to view.<\/span><\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>Interview with <a href=\"https:\/\/vimeo.com\/748008852\" target=\"_blank\" rel=\"noopener\">Lu Chunsheng<\/a>, <em>Counterpoints<\/em>, Iniva,\u00a02010<\/h4>\n<p><span class=\"\">Please click\u00a0<a href=\"https:\/\/vimeo.com\/748008852?share=copy\" target=\"_blank\" rel=\"noopener\">here<\/a>\u00a0to view.<\/span><\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>Interview with, Jia Aili<em>, Counterpoints<\/em><i>,<\/i>\u00a0Iniva, 2010<\/h4>\n<p><span class=\"\">Please click\u00a0<a href=\"https:\/\/vimeo.com\/745772326\" target=\"_blank\" rel=\"noopener\">here<\/a>\u00a0to view.<\/span><\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>&#8216;Mari Katayama Celebrates the Body Beautiful&#8217; by Holly Black<\/h4>\n<p>A review of Mari Katayama, <em>Broken Heart<\/em> for Elephant magazine by Holly Black. Please click <a href=\"https:\/\/elephant.art\/mari-katayama-celebrates-the-body-beautiful\/\">here<\/a> to be forwarded to the article.<\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>&#8216;Battlelands&#8217; review by Amy Luo<\/h4>\n<p>A review of Meiro Koizumi, <em>Battlelands<\/em> in Art Monthly by Amy Luo. Please click <a href=\"https:\/\/www.artmonthly.co.uk\/magazine\/site\/article\/meiro-koizumi-battlelands-by-amy-luo-february-2019\">here<\/a> to be forwarded to the article.<\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>&#8216;My eyes are not in the centre&#8217; review by Cleo Roberts<\/h4>\n<p>A review of Taro Izumi, <em>My eyes are not in the centre<\/em> from Art Asia Pacific online by Cleo Roberts.<\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>&#8216;Clothes Line&#8217; review by Cal Revely-Calder<\/h4>\n<p class=\"wp-block-heading\">A review of Aki Sasamoto,\u00a0<em>Clothes Line<\/em>\u00a0in frieze by Cal Revely-Calder. Please click\u00a0<a href=\"https:\/\/frieze.com\/article\/airing-dirty-laundry-public-aki-sasamotos-performance-installations\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>\u00a0to be forwarded to the article.<\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>&#8216;Shapeshifter&#8217; review by Fi Churchman<\/h4>\n<p>A review of Chikako Yamashiro,\u00a0<em>Shapeshifter<\/em> from <strong>Art <\/strong>Review Asia by Fi Churchman.<\/p>\n<p>Please click\u00a0<a href=\"https:\/\/artreview.com\/reviews\/ara_summer_2018_review_chikako_yamashiro\/\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>\u00a0to be forwarded to the article.<\/p>\n<p><strong><span data-preserver-spaces=\"true\"><\/span><\/strong><\/p>\n<h4>&#8216;Why Open?&#8217; review by Ned Carter Miles<\/h4>\n<p>A review of Chim\u2191Pom,\u00a0<em>Why Open?<\/em>\u00a0from Art Asia Pacific online by Ned Carter Miles.<\/p>\n<p>Please click\u00a0<a href=\"http:\/\/chimpom.jp\/pdf\/ArtAsiaPacific%3A%20Why%20Open.pdf\" target=\"_blank\" rel=\"noopener\">here<\/a>\u00a0to be forwarded to the article.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kyunchome, All Living Things are Breathing Now, BBC Radio A BBC Radio broadcast featuring artist unit Kyunchome and curator Keith Whittle discussing their exhibition, All Living Things Are Breathing Now. Please click here listen to the broadcast. Mari Katayama, Tate Shots, 2024 Artist Mari Katayama talks about her work recently acquired by Tate Modern. Please&hellip;<\/p>\n<a class=\"read-more-link\" href=\" https:\/\/keithwhittle.org\/?page_id=1777 \">Read More<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1777","page","type-page","status-publish","hentry","col-md-4 col-sm-6"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/keithwhittle.org\/index.php?rest_route=\/wp\/v2\/pages\/1777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/keithwhittle.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/keithwhittle.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/keithwhittle.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/keithwhittle.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1777"}],"version-history":[{"count":76,"href":"https:\/\/keithwhittle.org\/index.php?rest_route=\/wp\/v2\/pages\/1777\/revisions"}],"predecessor-version":[{"id":6038,"href":"https:\/\/keithwhittle.org\/index.php?rest_route=\/wp\/v2\/pages\/1777\/revisions\/6038"}],"wp:attachment":[{"href":"https:\/\/keithwhittle.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}