All Living Things are
Breathing Now

0288
0277色調CMYK
0275
0281
0292
0319
0328

Forthcoming

All Living Things are Breathing Now is the first solo exhibition in the British Isles by Japanese artist duo Kyunchome, Nabuchi (b. 1984, Mito) and Honma Eri (b. 1987, Yokohama). Curated by Keith Whittle the focus of the exhibition is a new series of work by Kyunchome that highlights the seas and it’s coastal ecosystems as dynamic ecotones and contact zones where humans and multiple species interact with intertidal rhythms.

Please click here to read more.

Publication Essay

Daisuke Ida
Daisuke Ida.12
Daisuke Ida.11
Daisuke Ida.07
Daisuke Ida.06
Daisuke Ida.05
Daisuke Ida.04
Daisuke Ida.02
Daisuke Ida.01
Daisuke Ida.01

Daisuke Ida

Publication essay by Keith Whittle for the National Arts Centre Tokyo exhibition, For Whom the Bell Tolls? by Japanese artist Daisuke Ida that delves into and explores perceptions of reality, physicality, changes in perspective, and our understanding of the world – historic, personal, economic, and technologically, reflecting on a global reality, in the post-coronavirus world and surveillance society.

Publication date 2025

Recent Acquisitions

Mari Katayama
Mari Katayama
Mari Katayama
Mari Katayama

Further her first UK solo exhibition at White Rainbow curated by Keith Whittle, artist Mari Katayama talks about her work recently acquired by and now on display at Tate Modern. Katayama uses her body and the materials she finds around her to make self-portraits, embroidered objects and living sculptures.

Please click here to view or click here to read about her White Rainbow exhibition.

Recent Talks

Keith Whittle
Keith Whittle
Keith Whittle
Keith Whittle

Keynote

Keith Whittle

The first in a series of five talks, Keith Whittle gave a keynote on the concept of Bienalisation and related developments in the art world. These developments include the rise of global curatorial discourse, the diminishing boundaries between art and non-art categories, and the increasing prominence of contemporary art from non-Western countries such as Africa, Asia, and Latin America. How these shifts have informed and led to the surge in periodic international exhibitions.

FramKitagawa
FramKitagawa

Fram Kitagawa

Fram Kitagawa, the director of the Echigo-Tsumari Triennale, is a visionary art producer and curator who discussed the groundbreaking festival that has become central to the unique social art movement in Japan over the past 20 years. The Echigo-Tsumari Art Triennale, one of the largest art festivals in the world, is held once every three years in the expansive rural area of Satoyama, located in the Niigata Prefecture.

Please click here to read more.

Leah Gordon
Leah Gordon
Leah Gordon
Leah Gordon

Leah Gordon

In 2023, the Atis Rezistans | Ghetto Biennale exhibition at Documenta Fifteen was awarded the Exhibition of the Year by AICA Germany. Leah Gordon, an artist, curator, writer, and co-founder of the Ghetto Biennale in Haiti, discussed the biennale, which was originally designed to highlight issues of social, racial, class, and geographical immobility.

Please click here to read more.

images (7) - 2024-12-21T183012.817 (1)
images (7) - 2024-12-21T183012.817 (1)

Shubigi Rao

Shubigi Rao discussed her diverse artistic practice and her experiences as the curator of the Kochi-Muziris Biennale, which ran from December 2022 to April 2023. Her work encompasses various disciplines, including archaeology, neuroscience, libraries, archives, histories, literature, violence, ecology, and natural history.

Please click here to read more.

Lewis Biggs
Lewis Biggs
Lewis Biggs
Lewis Biggs

Lewis Biggs

Former Chief Executive and Artistic Director of the Liverpool Biennial, Lewis Biggs, discussed how the Liverpool Biennial emerged as a latecomer among the growing number of international biennials that began to proliferate in the late 1980s. He outlined the challenges faced by earlier biennials and described the creation of a model that holds significant importance for the city, its citizens, its artistic community, and the international art scene.

Please click here to read more.

Watch

images (7) - 2024-12-21T185240.383 (1)
images (7) - 2024-12-21T185240.383 (1)

Mari Katayama

White Rainbow and Japan Foundation presented an artist talk by Mari Katayama, to coincide with her solo show curated by Keith Whittle at White Rainbow. Katayama discussed her artistic process, touching on how her physical difficulty has informed her work and influenced her body image. The talk was followed by a conversation with Simon Baker, director of the Maison Européenne de la Photographie, Paris.

Video of the Talk at the Royal Society of Arts, London, now online.

Please click here to view.

Archive

Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama Embroiderers (Dedicated to Unknown Embroiderers) #12, 2016 Embroidery on inkjet print 18×25cm Courtesy the artist and Mizuma Art Gallery, Tokyowhite-rainbow-banner-2016_04Satoru Aoyama Embroiderers (Dedicated to Unknown Embroiderers) #11, 2016 Embroidery on inkjet print 18×25cm Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama Map of the World (Dedicated to Unknown Embroiderers), 2015 Polyester and luminous thread on polyester Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama Map of the World (Dedicated to Unknown Embroiderers), 2015 Polyester and luminous thread on polyester Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama Map of the World (Dedicated to Unknown Embroiderers), 2015 Polyester and luminous thread on polyester Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama Embroiderers (Dedicated to Unknown Embroiderers) #11, 2016 Embroidery on inkjet print 18×25cm Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama Embroiderers (Dedicated to Unknown Embroiderers) #12, 2016 Embroidery on inkjet print 18×25cm Courtesy the artist and Mizuma Art Gallery, Tokyowhite-rainbow-banner-2016_04Satoru Aoyama Embroiderers (Dedicated to Unknown Embroiderers) #11, 2016 Embroidery on inkjet print 18×25cm Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama Map of the World (Dedicated to Unknown Embroiderers), 2015 Polyester and luminous thread on polyester Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama, Division of Labour at White Rainbow, London, 2019. © Aoyama Satoru. Courtesy White Rainbow, London. Photography: Damian Griffiths
Satoru Aoyama.3
Satoru Aoyama Map of the World (Dedicated to Unknown Embroiderers), 2015 Polyester and luminous thread on polyester Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama Map of the World (Dedicated to Unknown Embroiderers), 2015 Polyester and luminous thread on polyester Courtesy the artist and Mizuma Art Gallery, Tokyo
Satoru Aoyama Embroiderers (Dedicated to Unknown Embroiderers) #11, 2016 Embroidery on inkjet print 18×25cm Courtesy the artist and Mizuma Art Gallery, Tokyo

Publication Essay

Essay by Keith Whittle for Division of Labour, a solo exhibition at White Rainbow, Fitzrovia, London by Satoru Aoyama (b. 1973). The focus of the exhibition was a new series of work: ‘Map of the World (Dedicated to unknown embroiderers)’ (2012-). The works reference the Afghan craftswomen who assisted in the making of Alighiero Boetti’s ‘Mappa’ series (1971-1989).

Please click here to read the essay or click here to read about his White Rainbow exhibition.

Talk

OnePlace6 copy
OnePlace2 copy
OnePlace8 copy
OnePlace4 copy
OnePlace0 copy
OnePlace5 copy
OnePlace7 copy

Keith Whittle

One Place After Another: What can periodical International Contemporary Art Projects share?

This talk at The Japan Foundation, London, Keith Whittle examined the rise of large-scale international recurrent exhibitions of contemporary art around the world. The talk and subsequent discussion focused on the factors that influence recurring international exhibitions, particularly in Japan. It explored key themes from several periodic exhibitions, using specific examples drawn from field research conducted as a Fellow at The Japan Foundation. Following the presentation, a panel discussion was held to further examine issues related to these projects. The panel included Keith Whittle, along with two internationally recognised curators: Yuko Hasegawa, who has curated several major exhibitions in Sharjah, United Arab Emirates, and Lewis Biggs, known for his work in Aichi, Japan. Also participating was Koki Tanaka, the representative artist for the Japan Pavilion at the 55th International Art Exhibition in the Venice Biennale, and Mark Rappolt, Editor of Art Review.

Conversations

JonathanWatkins
JonathanWatkins

Jonathan Watkins

Jonathan Watkins, former Director, Ikon Gallery, Birmingham, United Kingdom interviewed by Keith Whittle.

Please click here to listen to an audio sample, or here to read a transcript of the interview.

MamiKataoka
MamiKataoka

Mami Kataoka

Mami Kataoka, Director of Mori Art Museum, Tokyo, Japan interviewed by Keith Whittle.

Please click here to listen to an audio sample, or here to read a transcript of the interview.

Residency UK

YukoMohri.03
YukoMohri.03

Yuko Mohri

Broadcast Media: A History of Machine Translation is an exhibition by Yuko Mohri (b. 1980, Tokyo).

The outcome of the artist’s first residency and solo exhibition in the UK, produced and curated by Keith Whittle, Bairdcast Media: A History of Machine Translation. This exhibition explores the early history of broadcast media in the United Kingdom, focusing on the work of John Logie Baird, the pioneering inventor of early television. It highlights his invention, the “Televisor,” a semi-mechanical analogue television system that employed a patented mechanical scanning method.

Please click here to read more.