Selected Press and Media

Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"
Kyunchome "All Living Things are Breathing Now"

All Living Things are Breathing Now

A BBC Radio broadcast featuring artist unit Kyunchome and curator Keith Whittle discussing their exhibition, All Living Things Are Breathing Now.

Please click here listen to the broadcast.

Mari Katayama, I’m wearing little high heels, I have child’s feet 2011, printed 2018. Copyright and courtesy the artist.
Mari Katayama, I’m wearing little high heels, I have child’s feet 2011, printed 2018. Copyright and courtesy the artist.
Mari Katayama, I’m wearing little high heels, I have child’s feet 2011, printed 2018. Copyright and courtesy the artist.
Mari Katayama, I’m wearing little high heels, I have child’s feet 2011, printed 2018. Copyright and courtesy the artist.

Mari Katayama, Tate Shots, 2024

Artist Mari Katayama talks about her work recently acquired by Tate Modern.

Please click here to view.

Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London

Preview, Meiro Koizumi, Battlelands, White Rainbow, 2019

Please click here to view.

Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system
Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system
Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system
Moré Moré [Leaky]: The Falling Water Given #5 (detail), 2017 Wood Frame, found objects, water pump system

Yuko Mohri, interview, Moré Moré [Leaky], White Rainbow, 2017.

Please click here to view.

Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery
Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery
Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart GalleryLu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery
Lu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart GalleryLu Chunsheng, The first man who bought a juicer bought it not for drinking juice. Production shot. © Lu Chunsheng. Courtesy Shanghart Gallery

Interview with Lu Chunsheng, Counterpoints, Iniva, 2010

Please click here to view.

Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China
Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China
Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China
Make Believe, Ja Aili, Installation view at Iniva (Institute of International Visual Arts), London. © Ja Aili. Courtesy Iniva and Platform China

Interview with, Jia Aili, Counterpoints, Iniva, 2010

Please click here to view.

'Mari Katayama Celebrates the Body Beautiful' by Holly Black
'Mari Katayama Celebrates the Body Beautiful' by Holly Black

‘Mari Katayama Celebrates the Body Beautiful’ by Holly Black

A review of Mari Katayama, Broken Heart for Elephant magazine by Holly Black. Please click here to be forwarded to the article.

Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London
Meiro Koizumi, Battlelands, Production still. White Rainbow, London, 2018 © Meiro Koizumi. Courtesy White Rainbow, London

‘Battlelands’ review by Amy Luo

A review of Meiro Koizumi, Battlelands in Art Monthly by Amy Luo. Please click here to be forwarded to the article.

Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths
Taro Izumi, 'My eyes are not in the centre', installation view at White Rainbow, London, 2018. ©Taro Izumi. Courtesy White Rainbow, London and Take Ninagawa, Tokyo. Image: Damian Griffiths

‘My eyes are not in the centre’ review by Cleo Roberts

A review of Taro Izumi, My eyes are not in the centre from Art Asia Pacific online by Cleo Roberts.

Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffith
Aki Sasamoto, Judge Mentals 7.18.18, performance view at White Rainbow, London, 2018 Copyright Aki Sasamoto, courtesy of White Rainbow, London and Take Ninagawa, Tokyo Image: Damian Griffith

‘Clothes Line’ review by Cal Revely-Calder

A review of Aki Sasamoto, Clothes Line in frieze by Cal Revely-Calder. Please click here to be forwarded to the article.

Chikako Yamashiro, Seaweed Woman, 2008 Video, 7’15" and set of 8 Lambda prints, 28x50cm each © Chikako Yamashiro, Courtesy of Yumiko Chiba Associates
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‘Shapeshifter’ review by Fi Churchman

A review of Chikako Yamashiro, Shapeshifter from Art Review Asia by Fi Churchman.

Please click here to be forwarded to the article.

Chim↑Pom, 'Why Open?', installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths
Chim↑Pom, 'Why Open?', installation view at White Rainbow, London, UK, 2018 © Chim↑Pom, Image: Damian Griffiths

‘Why Open?’ review by Ned Carter Miles

A review of Chim↑Pom, Why Open? from Art Asia Pacific online by Ned Carter Miles.

Please click here to be forwarded to the article.